One thing that I continually find entertaning is the feedback loop at the conference, presenters quoting writers to help support their point, and those writers are literally sitting in the audience listening to their own words spoken back to them. This kind of validation (or cancellation?) is a kind of black hole, a weird moment in time when the reasoning behind an argument starts to sound circular. For some reason the fact that the original writer is in the room listening sort of serves to render the intellectual capacity of the argument null and void. Like anything that is circular, you have to wonder whether it’s useful to end up where you started. Of course it can be. And of course it can’t be.
There seemed to be an exceptional amount of political commentaries built into the arguments I saw. The theme of the conference, “Waking Up From History,” propelled many writers to arrive at the concusion that we should actually wake up TO history, to learn from history, and to draw conclusions between the cultural sphere that our work covers and the political sphere of which we are citizens.
-Robert Bennett on the Jazz Diplomacy program and the things we should learn from it.
-Scott Nelson’s timely mention of “abortive gun policies” in the paper about John Henry’s exhumation – I’m not sure how he managed to reference the VA. Tech shootings in that conversation but at the time it made perfect sense.
-Brendan Greaves’ talk of Terry Allen’s border politics and the ways in which the Texas/Mexico border is treated by the government versus the inhabitants.
-There was also an entire panel about New Orleans, as well as a smattering of other related papers throughout the weekend, all of which contained a fervent expression of the power of music and solidarity and the essential character of the city.
In general, as there seems to be in more and more things these days, there was a real sense of urgency that was more palpable than in previous conferences. It may have been the effect of the theme, but in general people’s research was very much rooted in the grim realities of life and music’s ability to help maintain and even create hope where all seems quite hopeless.